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Félix Rubén García Sarmiento : ウィキペディア英語版
Rubén Darío

Félix Rubén García Sarmiento (January 18, 1867 – February 6, 1916), known as Rubén Darío, was a Nicaraguan poet who initiated the Spanish-American literary movement known as ''modernismo'' (modernism) that flourished at the end of the 19th century. Darío has had a great and lasting influence on 20th-century Spanish literature and journalism. He has been praised as the "Prince of Castilian Letters" and undisputed father of the ''modernismo'' literary movement.〔http://science.jrank.org/pages/10258/Modernism-Latin-America-Origin-Modernism-in-Latin-America.html "It was in the late 1880s that the celebrated Nicaraguan poet Rubén Darío (1867–1916) first published the term modernism (or modernismo in Spanish). The earliest known appearance in print worldwide of this term was in 1888 in Darío's essay "La literatura en Centroámerica" (''Revista de arte y cultural'', Santiago, Chile)〕
==Life==
Manuel García and Rosa Sarmiento were married on April 26, 1866, in León, Nicaragua, after obtaining the necessary ecclesiastic permissions since they were second degree cousins. However, Manuel's conduct of allegedly engaging in excessive consumption of alcohol prompted Rosa to abandon her conjugal home and flee to the city of Metapa in Matagalpa where she gave birth to Félix Rubén. The couple made up and Rosa even gave birth to a second child, a daughter named Cándida Rosa, who died a few days after being born. The marriage deteriorated again to the point where Rosa left her husband and moved in with her aunt, Bernarda Sarmiento. After a brief period of time, Rosa Sarmiento established a relationship with another man and moved with him to San Marcos de Colón, in Choluteca, Honduras.
Rubén Darío was born in Metapa, Matagalpa, Nicaragua. Although, according to his baptism, Rubén's true surname was García, his paternal family had been known by the surname Darío for many years. Rubén Darío explained it as follows in his autobiography:
According to what some of the old people in that town of my childhood have referred to me, my great-grandfather had Darío as his nickname or first name. In this small town he was known by everyone as "Don Darío" and his entire family as the Daríos. It was in this way that his and all his family last name began to disappear to the point where my paternal great-grandmother already replaced it when she signed documents as Rita Darío; becoming patronymic and acquiring legal stand and validity since my father, who was a merchant, carried out all his businesses as Manuel Darío...〔Rubén Darío, ''Autobiografía. Oro de Mallorca''. Introducción de Antonio Piedra. Madrid: Mondadori, 1990 (ISBN 84-397-1711-3); p. 3〕

Darío spent his childhood in the city of León. He was brought up by his mother's aunt and uncle, Félix and Bernarda, whom Darío considered, in his infancy, to be his real parents. (He reportedly, during his first years in school, signed his assignments as Félix Rubén Ramírez.) He rarely spoke with his mother, who lived in Honduras, or with his father, who he referred to as "Uncle Manuel". Although little is known about his first years, it is documented that after the death of Félix Ramírez, in 1871, the family went through rough economic times and they considered sending young Rubén as a tailor's apprentice. According to his biographer Edelmiro Torres, he attended several schools in León before going on, during 1879 and 1880, to be educated by the Jesuits.
A precocious reader (according to his own testimony, he learned to read when he was three years old〔Among the books he mentions reading are ''Don Quijote'', the Bible and works by Leandro Fernández de Moratín (ref. Rubén Darío, ''op. cit.'', p. 5)〕), he soon began to write his first verses: a sonnet written by him in 1879 is conserved, and he published for the first time in a newspaper when he was thirteen years old. The elegy, ''Una lágrima'', which was published in the daily ''El Termómetro'' (Rivas) on July 26, 1880. A little later he also collaborated in ''El Ensayo'', a literary magazine in León, garnering attention as a "child poet". In these initial verses, according to Teodosio Fernández,〔Fernández, Teodosio: ''Rubén Darío''. Madrid, ''Historia 16 Quórum'', 1987. Colección "Protagonistas de América" (ISBN 84-7679-082-1), p. 10〕 his predominating influences were Spanish poets contemporary to José Zorrilla, Ramón de Campoamor, Gaspar Núñez de Arce and Ventura de la Vega. His writings of this time display a liberalism hostile to the excessive influence of the Roman Catholic Church, as documented in his essay, ''El jesuita'', which was written in 1881. Regarding his political attitude, his most noteworthy influence was the Ecuadorian Juan Montalvo, whom he deliberately imitated in his first journalistic articles.〔Rubén Darío, ''op. cit.'', p. 18〕
Around December 1881 he moved to the capital, Managua, at the request of some liberal politicians that had conceived the idea that, given his gift for poetry, he should be educated in Europe at the expense of the public treasury. However, the anti-clerical tone of his verses did not convince the president of congress, the conservative Pedro Joaquín Chamorro Alfaro, and it was resolved that he would study in the Nicaraguan city of Granada, but Rubén opted to stay in Managua, where he continued his journalistic endeavour collaborating with the newspapers ''El Ferrocarril'' and ''El Porvenir de Nicaragua''. In the capital, he fell in love with an eleven-year-old girl, Rosario Emelina Murillo, whom he wanted to marry. He traveled to El Salvador in August 1882, at the petition of his friends who wanted to delay his marriage plans.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Rubén Darío」の詳細全文を読む



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